was founded on a powerful premise: self-expression through writing holds transformative potential.

This year, the honored Project Mend with its 2025 Outstanding College-Community Partnership Award, the initiative’s efforts to empower justice-impacted individuals through writing and publishing.

The project, developed by , associate professor of writing and rhetoric in the College of Arts and Sciences, is a multimodal, grassroots-level, open-access national archive centered on the scholarly and creative work of incarcerated and formerly incarcerated individuals and their communities. It is grounded in a digital storytelling and publishing apprenticeship for justice-impacted people, providing practical skills and professional opportunities.

Complementing the effort is “,” a print and digital journal that publishes works by anyone impacted by mass incarceration, amplifying voices that are often marginalized or silenced.

“Both components concern the power of writing to bring about change, exploring how individuals learn to write themselves into new identities and new lives,” Berry says.

�ճ����‘s Outstanding College-Community Partnership Award specifically honors initiatives that embody collaboration and reciprocity between universities and communities. The Coalition’s array of programs and member projects help catalyze community-based writing for the public good.

Berry’s work exemplifies the spirit of the award through meaningful partnerships that center the voices of justice-impacted individuals.

David Todd talked about Project Mend’s transformative role at a  in the spring.

“Writing is one of the factors that boosted my confidence,” he said during the dialogue facilitated by the . “I was able to express myself, and when I’m able to express myself, people start to listen to me.”

The success of Project Mend has been made possible through partnerships with the Center for Community Alternatives and support from the Humanities New York Post-Incarceration Humanities Partnership, funded by the Mellon Foundation and the CNY Humanities Corridor.

At the University, Project Mend is supported by the Engaged Humanities Network, CODE^SHIFT (Collaboratory for Data Equity, Social Healing, Inclusive Futures and Transformation), the Humanities Center, the SOURCE, Syracuse University Libraries and the Department of Writing Studies, Rhetoric and Composition. Berry also received an award from the Office of Research’s Good to Great (G2G) Grant Program, designed to help faculty secure major external funding by supporting the revision of promising grant proposals.

The multifaceted support has helped Berry strengthen the initiative as it prepares for its next phase of growth. Its new work includes a series of animated films that highlight selections from the pages of “Mend.” On Thursday, Nov. 13, Wade and animator Evan Bode will premiered “Prison and Time,” adapted from a piece in the 2025 issue of the journal.

In January, Project Mend will also launch “Mend Fences,” a podcast series of recorded conversations inspired by contributions to the journal.

As Project Mend applies for new grants and reconfigures as a comprehensive national archive, it continues to demonstrate how writing can be a powerful tool for transformation. By giving formerly incarcerated individuals and their families platforms to share their narratives, Berry’s initiative creates opportunities for justice-impacted people to reimagine themselves, their communities and their futures.

This is part one of a two-part series documenting the first time Newhouse creative advertising students won the Cannes Future Lions Grand Prix.

In June 2024, Newhouse School creative advertising students Molly Egan ’25 and Marlana Bianchi ’24 walked across the stage to claim the most prestigious student award in the world: the Cannes Future Lions Grand Prix, at the Cannes Lions International Festival of Creativity in Cannes, France.

The Cannes Lions Awards are so prestigious, they are considered the Oscars of the advertising industry. And this year, Syracuse made history as the first U.S. undergraduate university to win a Cannes Future Lions Grand Prix. In 2018, Syracuse became the first U.S. undergraduate university to ever win a Cannes Future Lions award.

This year’s competition saw entries from 245 schools across 59 countries—three times the number of entries from the previous year.

Each year, the competition releases a brief for students to answer. The brief for the 2024 competition was for Spotify. Egan and Bianchi earned the award through their compelling entry, “,” designed to make music streaming inclusive for the deaf community.

“‘Break the Sound Barrier’ is phenomenal, bravo. My favorite ideas make me deeply jealous that I didn’t think of them. And they make me ask: ‘How has this not been done yet?’ Because it’s so good,” says Avi Steinbach ’14, creative director/writer at Ogilvy and alumnus of the Newhouse creative advertising program.

Steinbach also won his first Cannes Lions Grand Prix this year in the Social and Influencer Category for the “” campaign. He was involved in every aspect of its creation—from the initial concept and pitching CeraVe to the script, social concepts and Super Bowl spot.

The Inspiration Behind the AI Idea 

Egan and Bianchi said their goal was to make music streaming inclusive for the deaf community.

“Sometimes the best ideas are your first ideas,” says Bianchi. “For me, they often come late at night when I’m exhausted and falling asleep at my desk. This idea started like that, and then Molly and I built on it to create something truly unique.”

Egan said their inspiration began with what she called the unforgettable halftime show at the 2023 Super Bowl.

“Rihanna headlined, but she wasn’t the only performer to leave a lasting impression,” she says. “At that time, Marlana was studying abroad in Florence, Italy, and I was in my college house without ESPN, so we both ended up watching the show on YouTube. From our separate corners of the world, we were mesmerized. Rihanna was split screen with Justina Miles. Miles, a deaf sign language performer, didn’t just translate Riri’s music—she embodied it.”

With electrifying energy, Miles created a whole new dimension to the performance. She brought every lyric and note to life, performing each word while dancing to Rihanna’s beats. Her hands told the story, and her body caught the rhythm so precisely that it felt like she was channeling the core of Rihanna’s music, Egan said.

“Marlana and I couldn’t stop replaying her performance, captivated by how she brought the music to life for both deaf and hearing fans,” Egan added.

Little did they know, this was the first time a deaf sign language performer like Miles was invited to join the Super Bowl halftime show. This major move for music inclusivity is what inspired Egan and Bianchi’s award-winning idea.

Another source of inspiration was MasterCard’s “True Name” campaign, which was shared during their Portfolio III course taught by , professor of practice in advertising. The campaign inspired them to think about how ideas can move the needle on inclusivity. “True Name” lets transgender and nonbinary people display their chosen name on their banking cards, regardless of the name on their identification or birth certificate.

The Grand Prix-Winning Idea for Spotify

“Break the Sound Barrier” is a digital idea for Spotify that aims to make music streaming more inclusive to the deaf community by integrating deaf sign language performances into the platform, ensuring that music streaming is accessible to all users, regardless of their hearing ability.

By partnering with deaf performers like Miles and using deepfake technology, “Break the Sound Barrier” can scale deaf performances into over 300 sign languages for each song on the platform. This approach ensures that Spotify will be accessible to the deaf community.

The next part of their idea lets musicians choose to opt into “.” If a musician opts in, Spotify will generate them signing with deepfake technology. This will let musicians perform in all the world’s sign languages for the first time, bringing deaf fans closer to their favorite artists than ever before.

‘‘‘Break the Sound Barrier’ is just so simple. Real problem. Real solution. While so many agencies are trying to find ways to use deepfake and AI, this idea uses it to address a real issue. This idea also starts on the app, but I could see it extending in a number of ways [like real-life concerts]—another good sign of a huge idea,” says Steinbach.

To read the full story, visit .

Story by , senior in the Newhouse School

, assistant professor of sociology in the , is among a trio of researchers who have received a $1.5 million grant from Arnold Ventures to analyze the relationship between the prison system, politics and state finances.

Kirk-Werner and her counterparts have created the to study so-called “pay-to-stay” statutes that leave millions of incarcerated individuals subject to the partial or total cost of their imprisonment.

The controversial practice contributes to widening inequalities in American society, according to Kirk-Werner and longtime collaborators Brittany Friedman, assistant professor of sociology at the University of Southern California, and April D. Fernandes, associate professor of sociology at North Carolina State University.

Arnold Ventures is a philanthropic organization that supports policy research projects addressing inequities and injustices in American society. Its five-year funding pledge supports the lab’s mission to advance research, policy and advocacy around the political economy of punishment.

Kirk-Werner first became interested in pay-to-stay policies in 2016 as a graduate student at Northwestern University. Friedman, a fellow graduate student, had discovered a little-known Illinois statute allowing the state’s attorney general to sue incarcerated people for their prison stay. She submitted a Freedom of Information Act request asking for records on the practice and, intrigued by what she found, joined Fernandes and Kirk-Werner in launching the first in-depth study of states’ pay-to-stay policies, specifically the use of civil lawsuits to recoup money.

“We found that states largely enforce pay-to-stay unevenly, often imposing these laws amid financial turmoil as a means to boost the state’s balance sheet,” says Kirk-Werner.

The researchers witnessed cash-strapped states using pay-to-stay laws, a practice first employed during the Great Depression, to seize stimulus checks amid the COVID-19 pandemic. “States increase their reliance on these laws at will, most likely when prompted by financial hardships and budget shortfalls,” Fernandes explains. “So incarcerated people could be subject to the seizure and collection efforts of the state through pay-to-stay.”

Read the complete story, written by the Maxwell School’s Jessica Youngman with the University of Southern California’s Daniel P. Smith, on the .

Back in 2019, Syracuse University archaeologist Christopher DeCorse was part of a team that made an unexpected discovery during fieldwork in coastal Ghana. While excavating the ruins of the 17th-century Dutch Fort Amsterdam, the researchers from Syracuse, the University of Rochester and the University of Ghana unearthed trade materials suggesting they may have found the location of an older English fort, Kormantine—England’s first outpost in Africa, built in 1631, and one of the earliest that sent enslaved Africans to the new colonies in the Americas.

Discovering a site of such historical import would be a major development, but the pandemic delayed further investigation until the summer of 2023, when DeCorse returned to Ghana to lead an extensive excavation. DeCorse, Distinguished Professor and chair of the Maxwell School’s Department of Anthropology, was supported by a $21,000 CUSE grant and an award from the National Endowment for the Humanities (NEH) topping $125,000.

Joining DeCorse’s project were several Maxwell School anthropology students and alumni, including Samuel Amartey G’15 (M.A.) G’21 (Ph.D.), a Ghanaian national and currently a lecturer at the University of Ghana, Legon, who served as the project field director; Sean Reid G’22 (Ph.D.), a research associate and lecturer at the University of Virginia; and doctoral candidate Matthew O’Leary.

The initial results were disappointing when the crew began to excavate for further evidence of the English fort this past June: they found more 17th-century artifacts, like ceramics and tobacco pipes, but mingled with plastics and other materials from 20th-century restoration projects.

Then Omokolade Omigbule, a Nigerian graduate student at the University of Virginia, dug a little deeper. “Suddenly he got down to a level with a very clear sizeable wall, almost three feet across, running diagonally across the room, and there was a clearly intact red clay floor,” DeCorse recalls. “We knew immediately: we have the wall of a fort that’s on a dramatically different orientation from the existing ruin. Although I believed traces of the fort would be present, the discovery of the massive, earlier wall was a huge surprise.”

Word of the breakthrough spread quickly, prompting a visit from BBC News and inquiries from other international media outlets. As the excavation continued, they found more and more clues to Kormantine’s long-buried past. “What we essentially uncovered,” says DeCorse, “were things that encapsulate the entire early history of this fort.”

Outpost of an Empire

Kormantine’s history involved numerous transformations as it grew from a small trading lodge into more substantial outpost, and a new community of Africans, attracted by trade opportunities, established the adjacent town of Abandze.

The original outpost burned down in 1640 and the English replaced it with a strengthened stone fort. These remarkable findings illuminate a critical period in Atlantic history. “This is really the first scramble for Africa,” explains DeCorse. “At this point in the 17th century, European nations are scrambling for colonies and for outposts in Africa, trying to take advantage of the trade that the Portuguese had been dominating. And it’s at this time on the Gold Coast when slaves replace gold as the major trade item.”

The Kormantine site provides important keys to better understanding this era, and the cultural and economic interactions between Africans and Europeans through an early outpost of empire. While there are documentary references to the fort, descriptions of its location and construction are very limited, DeCorse says.

Over the summer, DeCorse and the team uncovered several artifacts that offer insights into early 17th-century life at the fort. One example are small glass medicine bottles. “These medicine bottles and ointment jars would have been from trying to treat people with diseases that they were unfamiliar with,” says DeCorse.

While media coverage of the Kormantine discovery focused on the English fortification and its role in the slave trade, Amartey, the Ph.D. alumnus who was DeCorse’s student, notes that the African artifacts from the site are equally enlightening.

“We found several quern grinders, stone axes and ceramics,” he says. “They shed light on local practices and interactions between the British and local people. These items were likely used for food procurement and processing to support the fort’s garrison and crew members. To me, these materials show the complexities of European-African interactions.”

Refining Chronology

One of DeCorse’s favorite finds from across his career as an archaeologist is a locally made tobacco pipe from Kormantine that incorporates a stem from a European pipe. “It indicates this sort of cultural syncretism—a combining of European and African elements,” he says.

DeCorse has worked in West Africa for more than 40 years, focusing on transformations in Africa during the period of the Atlantic trade. Thirty years ago, he established the Central Region Project as a hub for archaeological work in Ghana. To date, the project has encompassed work on hundreds of archaeological sites and yielded eight dissertations at the University alone.

The work at Kormantine is far from complete. At the end of July, the team backfilled the site to protect it from the elements and other disturbances to the fragile structures until work can resume next summer.

Many of those who worked with DeCorse over the summer plan to continue with the project. “We will continue analysis and excavations next summer, and probably in 2025,” says Amartey.

Reid, DeCorse’s former student now at the University of Virginia, notes that some deposits uncovered this past summer may indicate yet a deeper level of history: they found what appear to be ground stone celts, called nyame akuma, that predate the fort and may represent a pre-Atlantic component of the site.

In the future, people across the globe will be able to virtually visit Fort Amsterdam and the excavations. DeCorse is a collaborator on a separate NEH-funded project, “Black Past Lives Matter: Digital Kormantin,” directed by the University of Rochester’s Michael Jarvis, that is creating a virtual tour of the site to be offered online.

Along with the ongoing work on the Kormantine site, DeCorse plans to publish short reports on the findings, to be followed by more detailed publications once excavations are complete. He is also fundraising for the project—the NEH grant requires $20,000 in matching funds from outside sources to unlock the full amount.

And in late September, DeCorse returned to Ghana—not to dig, but to share the story of the remarkable Kormantine discoveries with a film crew and reporters from CBS.

This story was written to by Jeffrey Pepper Rodgers. To read more, visit the .

Skä·noñh: Great Law of Peace Center and the Onondaga Nation will honor Chancellor Kent Syverud for his commitment to enhancing the University’s relationship with the Haudenosaunee with a reception on Sunday, April 29.

Since his inauguration in April 2014, Syverud has initiated several measures that honor the Haudenousanee. They include the University’s policy of opening public events with an acknowledgement of the Onondaga Nation and flying the Haudenosaunee flag in prominent campus locations. He also has continued support for the Haudenosaunee Promise, a scholarship for Haudenosaunee students established in 2006 in appreciation for the historical, political and cultural legacies of the Haudenosaunee.

During a visit to Chancellor Kent Syverud’s office, Native American scholar Philip Arnold noticed a lacrosse stick in the corner. The Chancellor picked up the stick and said, ‘It’s one of my prized possessions,’ Arnold recalls. It was a gift from Alf Jacques, renowned lacrosse stick maker and a member of the Onondaga Nation, the indigenous peoples upon whose ancestral land the University now stands.

“He has a real emotional connection to the Haudenosaunee that’s unique,” says , Department of Religion chair in the and founding director of .

Syverud has visited the longhouse several times and was instrumental in holding the games at the Dome. At the December University Senate meeting, he honored the memory of Onondaga Chief Irving Powless Jr. H’09, who died at age 88 the previous week. “I ask that the minutes of the Senate show our University’s collective respect for Chief Irving Powless Jr., one who embodied the wisdom of the land, a historian, ambassador, actor, musician, veteran, defender of the environment and champion of justice,” the chancellor said at the meeting.

“He’s been very supportive,” says Freida Jacques ’80, an Onondaga Nation clan mother who will speak at the reception.

Jacques is especially pleased that Syverud implemented acknowledgement of the Onondaga Nation events. “It’s something we wanted for a long time,” she says. “This is right up front at graduation and events. We’re not hidden away like we were for many years. It feels respectful.”

The Skä·noñh: Great Law of Peace Center tells the story of the Haudenosaunee (Iroquois) and their founding at Onondaga Lake more than 1,000 years ago through the lens of the Onondaga Nation, the “Central Fire” of Six Nation Confederacy. The center is overseen by the Onondaga Nation, in collaboration with Onondaga County, Syracuse University and neighboring educational institutions, and is managed by the Onondaga Historical Association. “Skä•noñh” is an Onondaga greeting that means “peace and wellness.”

The chancellor’s recognition and honor for the Haudenosaunee “are important in creating an atmosphere of respect for the Onondaga Nation,” Arnold says. “I’ve always thought students should know something about the significance of this place. The Chancellor and Provost think this is an important attribute of what it means to be Orange. This is a great opportunity to acknowledge the Chancellor’s leadership in this area.”

The reception will be held on Sunday, April 29, from 5-8 p.m., at the center, 6680 Onondaga Lake Parkway in Liverpool.  The reception will include non-alcoholic drinks and traditional Native American food. Tickets are $100 and can be purchased . Proceeds will support the center’s educational programming and the restoration and stabilization of a three-panel ceramic work by Mohawk artist Tammy Tarbell.

For more information on the event or to buy tickets, contact Nicole Abrams, director of the Skä·noñh: Great Law of Peace Center, at nicole.abrams@cnyhistory.org, or 315.453.6769.